Changes

* fratar - brother - brat (Romance Dalmatian)

* fratar - brother - brat (Romance Dalmatian)

* frigati -  to fry (Romance Dalmatian: fregur)

* frigati -  to fry (Romance Dalmatian: fregur)

* frižul - a spot to have a chat (within the town, Romance Dalmatian: faul ''or'' faular, meaning to speak)

* frižul - a spot to have a chat, on a stone bench <ref>Da se ne Zaboravi: Rječnik, Stare Priče, Običaji i Zanati u Blatu na Otoku Korčuli" by Žanetić Pudarić, Blato 2009. In Croatian: ižul - niska kamena klupa uz kuću koja služi za odmaranje, ćakulu, za prtit stoku, itd</ref> (within the town, Romance Dalmatian: faul ''or'' faular, meaning to speak)

* forca - power (apply with strength)

* forca - power (apply with strength)

* fortuna - strong wind

* fortuna - strong wind

* katrida - chair - stolica (Romance Dalmatian: '' katraida'')

* katrida - chair - stolica (Romance Dalmatian: '' katraida'')

* katun - corner (Latin: cantus)  

* katun - corner (Latin: cantus)  

* '''klapa''' - an a cappella form of music <ref>The traditional '''Klapa''' was composed of around half of dozen male singers (in recent times there are ''female'' Klape groups). Klapa singing dates back centuries. The arrival of the Slavic-Croatians to Dalmatia and their subsequent settlement in the area, began the process of the cultural mixing of Slavic culture with that of the traditions of the Roman population of Dalmatia. This process was most evident in the coastal and island regions of Dalmatia. In the 19th century a standard form of Klapa singing emerged. Church music heavily influences the arrangements. The modern Klapa style was established in the 1960s.</ref> (Venetian:clapa ''"singing crowd"'')

* '''klapa''' - an a cappella form of music <ref>The traditional '''Klapa''' was composed of around half of dozen male singers (in recent times there are ''female'' Klape groups). Klapa singing dates back centuries. The arrival of the Slavic-Croatians to Dalmatia and their subsequent settlement in the area, began the process of the cultural mixing of Slavic culture with that of the traditions of the Roman population of Dalmatia. This process was most evident in the coastal and island regions of Dalmatia. In the 19th century a standard form of Klapa singing emerged. Church music heavily influences the arrangements. The modern Klapa style was established in the 1960s.</ref> (Venetian: clapa ''"singing crowd"'')

* keleh - the floor

* keleh - the floor

* kolbuk - hat

* kolbuk - hat