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| C.S. Peirce, 'Chronological Edition', CE 1, 467
| C.S. Peirce, 'Chronological Edition', CE 1, 467
</pre>
</pre>
* [http://web.archive.org/web/20150302042625/http://stderr.org/pipermail/inquiry/2004-November/thread.html#1913 Information = Comprehension × Extension] • [http://web.archive.org/web/20150302042603/http://stderr.org/pipermail/inquiry/2004-November/001914.html Selection 2]
These ideas sound plausible enough at first — at least they did to me — but in trying to work out the kinds of details that it would take to make a bona fide measure out of this notion of information, we run into a bunch of questions that we have to answer before going on.
These ideas sound plausible enough at first — at least they did to me — but in trying to work out the kinds of details that it would take to make a bona fide measure out of this notion of information, we run into a bunch of questions that we have to answer before going on.
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| C.S. Peirce, 'Chronological Edition', CE 1, 463
| C.S. Peirce, 'Chronological Edition', CE 1, 463
</pre>
</pre>
* [http://web.archive.org/web/20150302042625/http://stderr.org/pipermail/inquiry/2004-November/thread.html#1913 Information = Comprehension × Extension] • [http://web.archive.org/web/20100526053134/http://stderr.org/pipermail/inquiry/2004-November/001933.html Selection 19]
Cosmetically revising ''H'' for ''Hued'' for things that have Color and superficially adding ''X'' for our tale's encompassing cosmos, we have come to form the following picture of the overall scene:
Cosmetically revising ''H'' for ''Hued'' for things that have Color and superficially adding ''X'' for our tale's encompassing cosmos, we have come to form the following picture of the overall scene:
