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, 00:50, 19 September 2010→1.3.8. Rondeau : Tempo di Menuetto
If one looks to the surface material of natural languages for signs of how this power of abstraction might arise, one finds a suggestive set of potential precursors in the phenomena of ambiguity, anaphora, and metaphor. Keeping this in mind throughout the project, I aim to pay close attention to the places where the power of abstraction seems to develop, especially in the guises of systematic ambiguity and controlled metaphor.
If one looks to the surface material of natural languages for signs of how this power of abstraction might arise, one finds a suggestive set of potential precursors in the phenomena of ambiguity, anaphora, and metaphor. Keeping this in mind throughout the project, I aim to pay close attention to the places where the power of abstraction seems to develop, especially in the guises of systematic ambiguity and controlled metaphor.
Paradoxically, and a bit ironically, if one's initial attempt to formalize meaning begins with the goal of stamping out ambiguity, metaphor, and all forms of figurative language use, then one may have precluded all hope of developing a capacity for abstraction at any later stage.
Paradoxically, and a bit ironically, if one's initial attempt to formalize meaning begins with the aim of stamping out ambiguity, metaphor, and all forms of figurative language use, then one may have precluded all hope of developing a capacity for abstraction at any later stage.
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