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User talk:Peter Z./Wikipedia & Political Agendas (view source)
Revision as of 00:30, 26 January 2010
, 00:30, 26 January 2010→House of De Bona
'''Zdenko Zlatar''' is Reader in Slavic History at The University of Sydney. Address:
'''Zdenko Zlatar''' is Reader in Slavic History at The University of Sydney. Address:
Department of History, The University of Sydney, Sydney, N.S.W. 2006, Austral
Department of History, The University of Sydney, Sydney, N.S.W. 2006, Australia
*Dubrovnik Under French Rule ''by'' Stjepan Cosic page 113 hrcak.srce.hr/file/12648. <ref>[http://74.125.153.132/search?q=cache%3AF6sh1V_orWAJ%3Ahrcak.srce.hr%2Ffile%2F12648+House+of+De+Bona+dubrovnik&hl=en Dubrovnik Under French Rule (1810-1814) Dubrovnik Under French Rule] ''by'' Stjepan Cosic/ hrcak.srce.hr/file/12648. page 113</ref>
*Dubrovnik Under French Rule ''by'' Stjepan Cosic page 113 hrcak.srce.hr/file/12648. <ref>[http://74.125.153.132/search?q=cache%3AF6sh1V_orWAJ%3Ahrcak.srce.hr%2Ffile%2F12648+House+of+De+Bona+dubrovnik&hl=en Dubrovnik Under French Rule (1810-1814) Dubrovnik Under French Rule] by Stjepan Cosic/ hrcak.srce.hr/file/12648. page 113 </ref>
* Dubrovnik by Barisa Krekic <ref>[http://books.google.com/books?client=safari&cd=1&id=m85pAAAAMAAJ&dq=House+of+De+Bona+dubrovnik&q=+De+Bona+#search_anchor Dubrovnik by Barisa Krekic]</ref>
* Quattrocento Adriatico: Fifteenth-Century Art of the Adriatic by Charles Dempsey <ref>[http://books.google.com/books?client=safari&cd=5&id=uKzpAAAAMAAJ&dq=House+of+De+Bona+dubrovnik&q=De+Bona+#search_anchor Quattrocento Adriatico]: Fifteenth-Century Art of the Adriatic by Charles Dempsey "The papers collected in this book provide many new observations about the artistic interrelationship between Italy and the cities of the Dalmatian coast during the fifteenth century, with special attention given to the influence on both sides of the Adriatic of the styles of Donatello in sculpture, Squarcione in painting, and Alberti in architecture. Essays are devoted to fifteenth-century painting in Dalmatia and its ties to the opposite shore; to the centrality of Padua in diffusing artistic ideas throughout the Adriatic; to Venetian sovereignty over Dalmatia; to Renaissance villas on the Dalmatian coast; to the architectural activity of Michelozzo and his shop in Dubrovnik; to the Chapel of the Planets in the Tempio Malatestiano at Rimini; to the Chapel of the Blessed Giovanni Orsini at Trogir; to Niccolo di Giovanni Fiorentino's work in Dalmatia; to Giovanni Dalmata's work in Italy; and to humanist poetic inscriptions devised for statues in Dubrovnik by Lorenzo Guidetti. The contract between the Opera of the Cathedral at Trogir and the stonecutters Niccolo di Giovanni Fiorentino and Adrea Alessi is transcribed in an Appendix. Contributors: Josko Belamari (Regional Institute for the Protection of Cultural Monuments, Split), Francesco Caglioti (University of Pisa), Adrea De Marchi (Soprintendenza delle Belle Arti di Pisa), Janez Hofler (University of Ljubljana), Stanko Kokole (The Johns Hopkins University), Reinhold Mueller (University of Venice), Kruno Prijatelj (Croatian Academy of Arts and Sciences), Anne Markham Schulz (Brown University), Samo Stefanac (University of Ljubljana), Johannes Roll (The Humboldt University)."</ref>
'''Croatia''':
'''Croatia''':
* De Bona Consulting: Director: Mercy Bona Pavelic
* De Bona Consulting: Director: Mercy Bona Pavelic