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| Here is what I get when I try to analyze Peirce's "giver of a horse to a lover of a woman" example along the same lines as the 2-adic compositions. | | Here is what I get when I try to analyze Peirce's "giver of a horse to a lover of a woman" example along the same lines as the 2-adic compositions. |
| | | |
− | We may begin with the mark-up shown in Figure 6. | + | We may begin with the mark-up shown in Figure 6. |
| | | |
| + | {| align="center" cellspacing="6" width="90%" |
| + | | align="center" | |
| <pre> | | <pre> |
| o-------------------------------------------------o | | o-------------------------------------------------o |
| | | | | | | |
| | | | | | | |
− | | `g`__$__% $'l'__* *w %h | | + | | `g`__!__@ !'l'__# #w @h | |
| | o o o o o o | | | | o o o o o o | |
| | \ \ / \ / / | | | | \ \ / \ / / | |
− | | \ \/ @ / | | + | | \ \/ O / | |
| | \ /\______ ______/ | | | | \ /\______ ______/ | |
− | | @ @ | | + | | O O | |
| | | | | | | |
| | | | | | | |
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| Figure 6. Giver of a Horse to a Lover of a Woman | | Figure 6. Giver of a Horse to a Lover of a Woman |
| </pre> | | </pre> |
| + | |} |
| | | |
− | If we analyze this in accord with the "spreadsheet" model of relational composition, the core of it is a particular way of composing a 3-adic "giving" relation ''G'' ⊆ ''T'' × ''U'' × ''V'' with a 2-adic "loving" relation ''L'' ⊆ ''U'' × ''W'' so as to obtain a specialized sort of 3-adic relation (''G'' o ''L'') ⊆ ''T'' × ''W'' × ''V''. The applicable constraints on tuples are shown in Table 9. | + | If we analyze this in accord with the spreadsheet model of relational composition, the core of it is a particular way of composing a 3-adic ''giving'' relation <math>G \subseteq T \times U \times V</math> with a 2-adic ''loving'' relation <math>L \subseteq U \times W</math> so as to obtain a specialized sort of 3-adic relation <math>(G \circ L) \subseteq T \times W \times V.</math> The applicable constraints on tuples are shown in Table 9. |
| | | |
| + | {| align="center" cellspacing="6" width="90%" |
| + | | align="center" | |
| <pre> | | <pre> |
| Table 9. Composite of Triadic and Dyadic Relations | | Table 9. Composite of Triadic and Dyadic Relations |
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| o---------o---------o---------o---------o---------o | | o---------o---------o---------o---------o---------o |
| </pre> | | </pre> |
| + | |} |
| | | |
− | The hypergraph picture of the abstract composition is given in Figure 10. | + | The hypergraph picture of the abstract composition is given in Figure 10. |
| | | |
| + | {| align="center" cellspacing="6" width="90%" |
| + | | align="center" | |
| <pre> | | <pre> |
| o---------------------------------------------------------------------o | | o---------------------------------------------------------------------o |
| | | | | | | |
| | G o L | | | | G o L | |
− | | ___________@___________ | | + | | ___________O___________ | |
| | / \ \ | | | | / \ \ | |
| | / G L \ \ | | | | / G L \ \ | |
− | | / @ @ \ \ | | + | | / O O \ \ | |
| | / /|\ / \ \ \ | | | | / /|\ / \ \ \ | |
| | / / | \ / \ \ \ | | | | / / | \ / \ \ \ | |
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| | o o o o o o o o | | | | o o o o o o o o | |
| | T T U V U W W V | | | | T T U V U W W V | |
− | | 1,_# #`g`_$____% $'l'______* *1 %1 | | + | | 1,_! !`g`_@____# @'l'______$ $1 #1 | |
| | o o o o o o o o | | | | o o o o o o o o | |
| | \ / \ \ / \ / / | | | | \ / \ \ / \ / / | |
− | | @ \ \/ @ / | | + | | O \ \/ O / | |
| | !1! \ /\ !1! / | | | | !1! \ /\ !1! / | |
| | \ / \_______ _______/ | | | | \ / \_______ _______/ | |
− | | @ @ | | + | | O O | |
| | !1! !1! | | | | !1! !1! | |
| | | | | | | |
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| Figure 10. Anything that is a Giver of Anything to a Lover of Anything | | Figure 10. Anything that is a Giver of Anything to a Lover of Anything |
| </pre> | | </pre> |
| + | |} |
| | | |
| ===Commentary Note 10.8=== | | ===Commentary Note 10.8=== |