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| | ===Commentary Note 10.8=== | | ===Commentary Note 10.8=== |
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| − | In taking up the next example of relational composition, let's exchange the relation 't' = "trainer of ---" for Peirce's relation 'o' = "owner of ---", simply for the sake of avoiding conflicts in the symbols that we use. In this way, Figure 7 is transformed into Figure 11. | + | In taking up the next example of relational composition, let's exchange the relation <math>\mathit{t} = \text{trainer of}\, \underline{~~~~}</math> for Peirce's relation <math>\mathit{o} = \text{owner of}\, \underline{~~~~},</math> simply for the sake of avoiding conflicts in the symbols that we use. In this way, Figure 7 is transformed into Figure 11. |
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| | + | {| align="center" cellspacing="6" width="90%" |
| | + | | align="center" | |
| | <pre> | | <pre> |
| | o-------------------------------------------------o | | o-------------------------------------------------o |
| | | | | | | | |
| | | | | | | | |
| − | | `g`__$__% $'t'__* *%h | | + | | `g`__!__@ !'t'__# #@h | |
| | | o o o o oo | | | | o o o o oo | |
| | | \ \ / \ // | | | | \ \ / \ // | |
| − | | \ \/ @/ | | + | | \ \/ O/ | |
| | | \ /\____ ____/ | | | | \ /\____ ____/ | |
| − | | @ @ | | + | | O O | |
| | | | | | | | |
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| | Figure 11. Giver of a Horse to a Trainer of It | | Figure 11. Giver of a Horse to a Trainer of It |
| | </pre> | | </pre> |
| | + | |} |
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| | Now here's an interesting point, in fact, a critical transition point, that we see resting in potential but a stone's throw removed from the chronism, the secular neigborhood, the temporal vicinity of Peirce's 1870 LOR, and it's a vertex that turns on the teridentity relation. | | Now here's an interesting point, in fact, a critical transition point, that we see resting in potential but a stone's throw removed from the chronism, the secular neigborhood, the temporal vicinity of Peirce's 1870 LOR, and it's a vertex that turns on the teridentity relation. |
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| − | The hypergraph picture of the abstract composition is given in Figure 12. | + | The hypergraph picture of the abstract composition is given in Figure 12. |
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| | + | {| align="center" cellspacing="6" width="90%" |
| | + | | align="center" | |
| | <pre> | | <pre> |
| | o---------------------------------------------------------------------o | | o---------------------------------------------------------------------o |
| | | | | | | | |
| | | G o T | | | | G o T | |
| − | | _________________@_________________ | | + | | _________________O_________________ | |
| | | / \ | | | | / \ | |
| | | / G T \ | | | | / G T \ | |
| − | | / @ @ \ | | + | | / O O \ | |
| | | / /|\ / \ \ | | | | / /|\ / \ \ | |
| | | / / | \ / \ \ | | | | / / | \ / \ \ | |
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| | | o o o o o o o | | | | o o o o o o o | |
| | | X X Y Z Y Z Z | | | | X X Y Z Y Z Z | |
| − | | 1,_# #`g`_$____% $'t'______% %1 | | + | | 1,_! !`g`_@____# @'t'______$ #1 | |
| | | o o o o o o o | | | | o o o o o o o | |
| | | \ / \ \ / | / | | | | \ / \ \ / | / | |
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| | | \ / \ /\ | / | | | | \ / \ /\ | / | |
| | | \ / \ / \__________|__________/ | | | | \ / \ / \__________|__________/ | |
| − | | @ @ @ | | + | | O O O | |
| | | !1! !1! !1! | | | | !1! !1! !1! | |
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| | Figure 12. Anything that is a Giver of Anything to a Trainer of It | | Figure 12. Anything that is a Giver of Anything to a Trainer of It |
| | </pre> | | </pre> |
| | + | |} |
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| | If we analyze this in accord with the "spreadsheet" model of relational composition, the core of it is a particular way of composing a 3-adic "giving" relation ''G'' ⊆ ''X'' × ''Y'' × ''Z'' with a 2-adic "training" relation ''T'' ⊆ ''Y'' × ''Z'' in such a way as to determine a certain 2-adic relation (''G'' o ''T'') ⊆ ''X'' × ''Z''. Table 13 schematizes the associated constraints on tuples. | | If we analyze this in accord with the "spreadsheet" model of relational composition, the core of it is a particular way of composing a 3-adic "giving" relation ''G'' ⊆ ''X'' × ''Y'' × ''Z'' with a 2-adic "training" relation ''T'' ⊆ ''Y'' × ''Z'' in such a way as to determine a certain 2-adic relation (''G'' o ''T'') ⊆ ''X'' × ''Z''. Table 13 schematizes the associated constraints on tuples. |
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| | + | {| align="center" cellspacing="6" width="90%" |
| | + | | align="center" | |
| | <pre> | | <pre> |
| | Table 13. Another Brand of Composition | | Table 13. Another Brand of Composition |
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| | o---------o---------o---------o---------o | | o---------o---------o---------o---------o |
| | </pre> | | </pre> |
| | + | |} |
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| − | So we see that the notorious teridentity relation, which I have left equivocally denoted by the same symbol as the identity relation !1!, is already implicit in Peirce's discussion at this point. | + | So we see that the notorious teridentity relation, which I have left equivocally denoted by the same symbol as the identity relation <math>\mathit{1},\!</math> is already implicit in Peirce's discussion at this point. |
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| | ===Commentary Note 10.9=== | | ===Commentary Note 10.9=== |