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'''Ana Peraica''' (born 1972) is a media theorist and curator from [[Croatia]].<ref>[http://uniri.academia.edu/AnaPeraica  Academia.edu-Ana Peraica]</ref> Her writings, most of which copyleft, have been translated into many languages English, German, French, Bulgarian, and Polish. She teaches at the University of Rijeka.

'''Ana Peraica''' (born 1972) is a media theorist and curator from [[Croatia]].<ref>[http://uniri.academia.edu/AnaPeraica  Academia.edu-Ana Peraica]</ref> Her writings, most of which are copyleft, have been translated into many languages English, German, French, Bulgarian, and Polish. She teaches at the University of Rijeka.

Peraica was born into a family of photographers <ref>[http://leonardo.info/rolodex/peraica.ana.html Leonardo.info]</ref> who were part of the famous intervention created by the '''Red Peristyle''' on in the main square of the Diocletian's Palace in Split. Her family are from Split and have been living there for generations. She was the daughter of portrait photographer Dražen Peraica and the granddaughter of the photographer Antonio Perajica and the niece of [[USA]] politician Tony Peraica.

Peraica was born into a family of photographers <ref>[http://leonardo.info/rolodex/peraica.ana.html Leonardo.info]</ref> who were part of the famous intervention created by the '''Red Peristyle''' on in the main square of the Diocletian's Palace in Split. Her family are from Split and have been living there for generations. She was the daughter of portrait photographer Dražen Peraica and the granddaughter of the photographer Antonio Perajica and the niece of [[USA]] politician Tony Peraica.

In 2009 she had shown movies that were hidden from the communist government censorship in the family's antique basement. They were recorded by her grandfather Antonio Perajica who was a ''Commissar of Film and Photography'' of the Yugoslavia. This work when collated amounted to nine 16mm edited tapes, running for a  total length of 45 minutes, that had never shown to the public before. They came to the attention of the media and they were one of the lengthier films that were filmed during [[World War II]]. They contained an image of Bishop Alojzije Stepinac and [[Josip Broz Tito]] appearing together.<ref>[http://translate.google.com.au/translatehl=en&sl=hr&u=http://urednik.slobodnadalmacija.hr/Hrvatska/tabid/66/articleType/ArticleView/articleId/55647/Default.aspx&ei=cVr1S7fgFc6GkAWJnszxCA&sa=X&oi=translate&ct=result&resnum=1&ved=0CBoQ7gEwAA&prev=/search%3Fq%3DPerajica%2Bsnimku%2BTita%2Bsa%2BStepincem%2Bskrivao%2Bod%2Bcenzora%26hl%3Den%26client%3Dsafari%26rls%3Den Slobodna Dalmacija-Perajica Recording with Tito and Stepinac hidden from the Censors] Perajica's film tape, which, among other things recorded the bombing of Split during the Second World War was hidden for decades in a Kamenica and left, until 1984.</ref> The meeting of these two was erased from other visual documents by the Yugoslav communist government. The film gained media attention and filled double pages in all Croatian daily newspapers in the middle of the election period in Croatia (a society still being divided and influenced by the World War II history).

In 2009 she had shown movies that were hidden from the communist government censorship in the family's antique basement. They were recorded by her grandfather Antonio Perajica who was a ''Commissar of Film and Photography'' of the former communist Yugoslavia. The work when collated amounted to nine 16mm edited tapes, running for a  total length of 45 minutes, that had never shown to the public before. They came to the attention of the media and they were one of the lengthier films that were filmed during [[World War II]]. They contained an image of Bishop Alojzije Stepinac and [[Josip Broz Tito]] appearing together.<ref>[http://translate.google.com.au/translatehl=en&sl=hr&u=http://urednik.slobodnadalmacija.hr/Hrvatska/tabid/66/articleType/ArticleView/articleId/55647/Default.aspx&ei=cVr1S7fgFc6GkAWJnszxCA&sa=X&oi=translate&ct=result&resnum=1&ved=0CBoQ7gEwAA&prev=/search%3Fq%3DPerajica%2Bsnimku%2BTita%2Bsa%2BStepincem%2Bskrivao%2Bod%2Bcenzora%26hl%3Den%26client%3Dsafari%26rls%3Den Slobodna Dalmacija-Perajica Recording with Tito and Stepinac hidden from the Censors] Perajica's film tape, which, among other things recorded the bombing of Split during the Second World War was hidden for decades and left, until 1984.</ref> The meeting of these two was erased from other visual documents by the Yugoslav communist government. The film gained media attention and filled double pages in all Croatian daily newspapers in the middle of the election period in Croatia (a society still being divided and influenced by the World War II history).

== Education ==

== Education ==

Peraica has graduated in Art history and Philosophy at the ''University of Zagreb'', continuing with a post-academic program in the theory department at the Jan Van Eyck Academie, Maastricht, PhD Studies at ASCA (Amsterdam School of Cultural Analysis, Theory and Interpretation), University of Amsterdam. She defended her doctorate thesis entitled ''Photography as the Evidence'' at the International Course of Philosophy and Modernity, University of Rijeka. She was awarded UNESCO-IFPC and BKVB funds.

Peraica graduated in Art history and Philosophy at the ''University of Zagreb'', continuing with a post-academic program in the theory department at the Jan Van Eyck Academie, Maastricht, PhD Studies at ASCA (Amsterdam School of Cultural Analysis, Theory and Interpretation), University of Amsterdam. She defended her doctorate thesis entitled ''Photography as the Evidence'' at the International Course of Philosophy and Modernity, University of Rijeka. She was awarded UNESCO-IFPC and BKVB funds.

== Work ==

== Work ==

==Books==

==Books==

* Ana Peraica (ed.): Victims Symptom (Institute for Networked cultures, Amsterdam, 2009.

* Ana Peraica (ed.): Victims Symptom (Institute for Networked cultures, Amsterdam, 2009.

* Grzinic and Reitsamer (eds): Worlds of Feminism Queer and Networking Conditions, Loecker Verlaag, [[Vienna]], 2008, ISBN 978-3-85409-472-2

* Grzinic and Reitsamer (eds): Worlds of Feminism Queer and Networking Conditions, Loecker Verlaag, Vienna, 2008, ISBN 978-3-85409-472-2

* Irwin (eds): East Art Map, Afterall/MIT Press, London/New York, 2006, ISBN 978-1-84638-022-8. ISBN 1-84638-022-7

* Irwin (eds): East Art Map, Afterall/MIT Press, London/New York, 2006, ISBN 978-1-84638-022-8. ISBN 1-84638-022-7

* Ana Peraica (ed.): Žena na Raskrižju Ideologija, HULU, Split, 2007, ISBN 978-953-96831-7-5

* Ana Peraica (ed.): Žena na Raskrižju Ideologija, HULU, Split, 2007, ISBN 978-953-96831-7-5