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Directory:Jon Awbrey/EPITEXT (view source)

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{| style="height:36px; width:100%"
 
| align="left"  | ''Stand and unfold yourself.''
 
| align="left"  | ''Stand and unfold yourself.''
 
| align="right" | Hamlet: Francsico—1.1.2
 
| align="right" | Hamlet: Francsico—1.1.2
 
|}
 
|}
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<br>
      
==Purpose==
 
==Purpose==
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| width="4%"  | &nbsp;
 
| width="4%"  | &nbsp;
 
|-
 
|-
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| align="right" colspan="3" | &mdash; Walt Whitman, ''Leaves of Grass'', [Whi, 11-12]
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| align="right" colspan="3" | &mdash; Walt Whitman, ''Leaves of Grass'', [Whi, 11&ndash;12]
 
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|}
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| width="4%"  | &nbsp;
 
| width="4%"  | &nbsp;
 
|-
 
|-
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| align="right" colspan="3" | &mdash; John Dewey, ''How We Think'', [Dew, 56-57]
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| align="right" colspan="3" | &mdash; John Dewey, ''How We Think'', [Dew, 56&ndash;57]
 
|}
 
|}
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====Analytic Expansion of Conjunction====
 
====Analytic Expansion of Conjunction====
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<blockquote>
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| width="4%"  | &nbsp;
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| width="92%" |
 
<p>In her sufferings she read a great deal and discovered that she had lost something, the possession of which she had previously not been much aware of:  a soul.</p>
 
<p>In her sufferings she read a great deal and discovered that she had lost something, the possession of which she had previously not been much aware of:  a soul.</p>
    
<p>What is that?  It is easily defined negatively:  it is simply what curls up and hides when there is any mention of algebraic series.</p>
 
<p>What is that?  It is easily defined negatively:  it is simply what curls up and hides when there is any mention of algebraic series.</p>
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| width="4%"  | &nbsp;
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<p>Robert Musil, ''The Man Without Qualities'', [Mus, 118]</p>
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|-
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</blockquote>
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| align="right" colspan="3" | &mdash; Robert Musil, ''The Man Without Qualities'', [Mus, 118]
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|}
    
=====Tacit Extension of Conjunction=====
 
=====Tacit Extension of Conjunction=====
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<blockquote>
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<p>I teach straying from me, yet who can stray from me?<br>
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| width="40%" | &nbsp;
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| width="60%" |
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I teach straying from me, yet who can stray from me?<br>
 
I follow you whoever you are from the present hour;<br>
 
I follow you whoever you are from the present hour;<br>
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My words itch at your ears till you understand them.</p>
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My words itch at your ears till you understand them.
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|-
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<p>Walt Whitman, ''Leaves of Grass'', [Whi, 83]</p>
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| &nbsp;
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</blockquote>
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| align="right" | &mdash; Walt Whitman, ''Leaves of Grass'', [Whi, 83]
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|}
    
=====Enlargement Map of Conjunction=====
 
=====Enlargement Map of Conjunction=====
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<blockquote>
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<p>No one could have established the existence of any details that might not just as well have existed in earlier times too;  but all the relations between things had shifted slightly.  Ideas that had once been of lean account grew fat.</p>
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| width="4%"  | &nbsp;
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| width="92%" |
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<p>Robert Musil, ''The Man Without Qualities'', [Mus, 62]</p>
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No one could have established the existence of any details that might not just as well have existed in earlier times too;  but all the relations between things had shifted slightly.  Ideas that had once been of lean account grew fat.
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Robert Musil, ''The Man Without Qualities'', [Mus, 62]
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|}
    
=====Digression : Reflection on Use and Mention=====
 
=====Digression : Reflection on Use and Mention=====
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<blockquote>
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<p>Reflection is turning a topic over in various aspects and in various lights so that nothing significant about it shall be overlooked — almost as one might turn a stone over to see what its hidden side is like or what is covered by it.</p>
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| width="4%"  | &nbsp;
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| width="92%" |
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Reflection is turning a topic over in various aspects and in various lights so that nothing significant about it shall be overlooked &mdash; almost as one might turn a stone over to see what its hidden side is like or what is covered by it.
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; John Dewey, ''How We Think'', [Dew, 57]
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|}
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<p>John Dewey, ''How We Think'', [Dew, 57]</p>
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<br>
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</blockquote>
     −
<blockquote>
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<p>The well-known capacity that thoughts have — as doctors have discovered — for dissolving and dispersing those hard lumps of deep, ingrowing, morbidly entangled conflict that arise out of gloomy regions of the self probably rests on nothing other than their social and worldly nature, which links the individual being with other people and things;  but unfortunately what gives them their power of healing seems to be the same as what diminishes the quality of personal experience in them.</p>
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| width="4%"  | &nbsp;
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| width="92%" |
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<p>Robert Musil, ''The Man Without Qualities'', [Mus, 130]</p>
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The well-known capacity that thoughts have &mdash; as doctors have discovered &mdash; for dissolving and dispersing those hard lumps of deep, ingrowing, morbidly entangled conflict that arise out of gloomy regions of the self probably rests on nothing other than their social and worldly nature, which links the individual being with other people and things;  but unfortunately what gives them their power of healing seems to be the same as what diminishes the quality of personal experience in them.
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Robert Musil, ''The Man Without Qualities'', [Mus, 130]
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|}
    
=====Difference Map of Conjunction=====
 
=====Difference Map of Conjunction=====
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<blockquote>
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<p>"It doesn't matter what one does", the Man Without Qualities said to himself, shrugging his shoulders.  "In a tangle of forces like this it doesn't make a scrap of difference."  He turned away like a man who has learned renunciation, almost indeed like a sick man who shrinks from any intensity of contact.  And then, striding through his adjacent dressing-room, he passed a punching-ball that hung there;  he gave it a blow far swifter and harder than is usual in moods of resignation or states of weakness.</p>
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| width="4%"  | &nbsp;
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| width="92%" |
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<p>Robert Musil, ''The Man Without Qualities'', [Mus, 8]</p>
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"It doesn't matter what one does", the Man Without Qualities said to himself, shrugging his shoulders.  "In a tangle of forces like this it doesn't make a scrap of difference."  He turned away like a man who has learned renunciation, almost indeed like a sick man who shrinks from any intensity of contact.  And then, striding through his adjacent dressing-room, he passed a punching-ball that hung there;  he gave it a blow far swifter and harder than is usual in moods of resignation or states of weakness.
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Robert Musil, ''The Man Without Qualities'', [Mus, 8]
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|}
    
=====Differential of Conjunction=====
 
=====Differential of Conjunction=====
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<blockquote>
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<p>By deploying discourse throughout a calendar, and by giving a date to each of its elements, one does not obtain a definitive hierarchy of precessions and originalities;  this hierarchy is never more than relative to the systems of discourse that it sets out to evaluate.</p>
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| width="4%"  | &nbsp;
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| width="92%" |
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By deploying discourse throughout a calendar, and by giving a date to each of its elements, one does not obtain a definitive hierarchy of precessions and originalities;  this hierarchy is never more than relative to the systems of discourse that it sets out to evaluate.
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Michel Foucault, ''The Archaeology of Knowledge'', [Fou, 143]
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|}
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<p>Michel Foucault, ''The Archaeology of Knowledge'', [Fou, 143]</p>
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<br>
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</blockquote>
     −
<blockquote>
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<p>He had drifted into the very heart of the world.  From him to the distant beloved was as far as to the next tree.</p>
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| width="4%"  | &nbsp;
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<p>Robert Musil, ''The Man Without Qualities'', [Mus, 144]</p>
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He had drifted into the very heart of the world.  From him to the distant beloved was as far as to the next tree.
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Robert Musil, ''The Man Without Qualities'', [Mus, 144]
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|}
    
=====Remainder of Conjunction=====
 
=====Remainder of Conjunction=====
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<blockquote>
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| width="40%" | &nbsp;
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<p>I bequeath myself to the dirt to grow from the grass I love,<br>
 
<p>I bequeath myself to the dirt to grow from the grass I love,<br>
 
If you want me again look for me under your bootsoles.</p>
 
If you want me again look for me under your bootsoles.</p>
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Missing me one place search another,<br>
 
Missing me one place search another,<br>
 
I stop some where waiting for you</p>
 
I stop some where waiting for you</p>
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|-
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<p>Walt Whitman, ''Leaves of Grass'', [Whi, 88]</p>
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| &nbsp;
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</blockquote>
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| align="right" | &mdash; Walt Whitman, ''Leaves of Grass'', [Whi, 88]
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|}
    
=====Summary of Conjunction=====
 
=====Summary of Conjunction=====
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====Analytic Series : Coordinate Method====
 
====Analytic Series : Coordinate Method====
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<blockquote>
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<p>And if he is told that something ''is'' the way it is, then he thinks: Well, it could probably just as easily be some other way.  So the sense of possibility might be defined outright as the capacity to think how everything could "just as easily" be, and to attach no more importance to what is than to what is not.</p>
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<p>Robert Musil, ''The Man Without Qualities'', [Mus, 12]</p>
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And if he is told that something ''is'' the way it is, then he thinks:   Well, it could probably just as easily be some other way.  So the sense of possibility might be defined outright as the capacity to think how everything could "just as easily" be, and to attach no more importance to what is than to what is not.
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Robert Musil, ''The Man Without Qualities'', [Mus, 12]
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|}
    
====Analytic Series : Recap====
 
====Analytic Series : Recap====
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====Terminological Interlude====
 
====Terminological Interlude====
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<blockquote>
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<p>Lastly, my attention was especially attracted, not so much to the scene, as to the mirrors that produced it.  These mirrors were broken in parts.  Yes, they were marked and scratched;  they had been "starred", in spite of their solidity …</p>
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<p>Gaston Leroux, ''The Phantom of the Opera'', [Ler, 230]</p>
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Lastly, my attention was especially attracted, not so much to the scene, as to the mirrors that produced it.  These mirrors were broken in parts.  Yes, they were marked and scratched;  they had been "starred", in spite of their solidity &hellip;
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Gaston Leroux, ''The Phantom of the Opera'', [Ler, 230]
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|}
    
====End of Perfunctory Chatter : Time to Roll the Clip!====
 
====End of Perfunctory Chatter : Time to Roll the Clip!====
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===Taking Aim at Higher Dimensional Targets===
 
===Taking Aim at Higher Dimensional Targets===
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<blockquote>
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<p>The past and present wilt . . . . I have filled them and<br>
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The past and present wilt . . . . I have filled them and<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;emptied them,<br>
 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;emptied them,<br>
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And proceed to fill my next fold of the future.</p>
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And proceed to fill my next fold of the future.
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<p>Walt Whitman, ''Leaves of Grass'', [Whi, 87]</p>
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| &nbsp;
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</blockquote>
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| align="right" | &mdash; Walt Whitman, ''Leaves of Grass'', [Whi, 87]
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|}
    
===Transformations of Type '''B'''<sup>2</sup> &rarr; '''B'''<sup>2</sup>===
 
===Transformations of Type '''B'''<sup>2</sup> &rarr; '''B'''<sup>2</sup>===
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==Epilogue, Enchoiry, Exodus==
 
==Epilogue, Enchoiry, Exodus==
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<blockquote>
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<p>It is time to explain myself . . . . let us stand up.</p>
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<p>Walt Whitman, ''Leaves of Grass'', [Whi, 79]</p>
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It is time to explain myself . . . . let us stand up.
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</blockquote>
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| width="4%"  | &nbsp;
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|-
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| align="right" colspan="3" | &mdash; Walt Whitman, ''Leaves of Grass'', [Whi, 79]
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|}
Jon Awbrey
12,089

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