Changes

The example of Schubert's last Symphony in C major has been kept in mind as well, but owing to its "heavenly length" and its status as a classical symphony "and at the same time a romantic symphony, the greatest of the romantic symphonies,"<ref>Bernard Shore, ''Sixteen Symphonies'' Hyperion Press, Westport, Connecticut (1979) p. 79</ref> it proved less suitable as a model for a Symphony fit for a King.

The example of Schubert's last Symphony in C major has been kept in mind as well, but owing to its "heavenly length" and its status as a classical symphony "and at the same time a romantic symphony, the greatest of the romantic symphonies,"<ref>Bernard Shore, ''Sixteen Symphonies'' Hyperion Press, Westport, Connecticut (1979) p. 79</ref> it proved less suitable as a model for a Symphony fit for a King.