To save a few words in the remainder of this discussion, I will use the terms ''measure'' and ''qualifier'' to refer to all types of higher order propositions and operators. To describe the present setting in picturesque terms, the propositions of <math>[u, v]\!</math> may be regarded as a gallery of sixteen venn diagrams, while the measures <math>m : (X \to \mathbb{B}) \to \mathbb{B}</math> are analogous to a body of judges or a panel of critical viewers, each of whom evaluates each of the pictures as a whole and reports the ones that find favor or not. In this way, each judge <math>m_j\!</math> partitions the gallery of pictures into two aesthetic portions, the pictures <math>m_j^{-1}(1)\!</math> that <math>m_j\!</math> likes and the pictures <math>m_j^{-1}(0)\!</math> that <math>m_j\!</math> dislikes. | To save a few words in the remainder of this discussion, I will use the terms ''measure'' and ''qualifier'' to refer to all types of higher order propositions and operators. To describe the present setting in picturesque terms, the propositions of <math>[u, v]\!</math> may be regarded as a gallery of sixteen venn diagrams, while the measures <math>m : (X \to \mathbb{B}) \to \mathbb{B}</math> are analogous to a body of judges or a panel of critical viewers, each of whom evaluates each of the pictures as a whole and reports the ones that find favor or not. In this way, each judge <math>m_j\!</math> partitions the gallery of pictures into two aesthetic portions, the pictures <math>m_j^{-1}(1)\!</math> that <math>m_j\!</math> likes and the pictures <math>m_j^{-1}(0)\!</math> that <math>m_j\!</math> dislikes. |