BK: Jon, I think you are conflating a dramatic ''production'' with a drama ''engine''. Think of a drama engine as the analog of a physics engine in a pinball game. Jimbo gave the world a free-wheeling ''drama engine'' — a venue where arbitrary actors can don costumes and synthetic [http://knol.google.com/k/barry-kort/cognition-affect-and-learning/3iyoslgwsp412/2#H7-Multi-Layer-Storybook-Character-Model ''personas''] and engage in improvisational street theater with each other. The result is a post-modern, pre-apocalyptic [http://underground.musenet.org:8080/utnebury/banshee.html theater of the absurd]. —[[User:Moulton|Moulton]] 14:14, 13 October 2008 (PDT) | BK: Jon, I think you are conflating a dramatic ''production'' with a drama ''engine''. Think of a drama engine as the analog of a physics engine in a pinball game. Jimbo gave the world a free-wheeling ''drama engine'' — a venue where arbitrary actors can don costumes and synthetic [http://knol.google.com/k/barry-kort/cognition-affect-and-learning/3iyoslgwsp412/2#H7-Multi-Layer-Storybook-Character-Model ''personas''] and engage in improvisational street theater with each other. The result is a post-modern, pre-apocalyptic [http://underground.musenet.org:8080/utnebury/banshee.html theater of the absurd]. —[[User:Moulton|Moulton]] 14:14, 13 October 2008 (PDT) |