| Line 678: | 
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|   | both of which branches it is hoped will be nearer to solid ground and  |   | both of which branches it is hoped will be nearer to solid ground and  | 
|   | easier to grasp than the original question.  |   | easier to grasp than the original question.  | 
| − | </pre>
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| − | 
  |   | 
| − | =====1.3.5.14. The Double Aspect of Concepts=====
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| − | 
  |   | 
| − | <pre>
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| − | | Nothing is more erroneous than to make of
  |   | 
| − | | psychical and physical phenomena the two faces,
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| − | | the two revelations of one and the same substance.
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| − | | Nothing is explained thereby:  the concept "substance"
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| − | | is perfectly useless as an explanation.  Consciousness in
  |   | 
| − | | a subsidiary role, almost indifferent, superfluous, perhaps
  |   | 
| − | | destined to vanish and give way to a perfect automatism --
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| − | |
  |   | 
| − | | (Nietzsche, 'The Will to Power', S 523, 283).
  |   | 
| − | 
  |   | 
| − | This project is a particular inquiry into the nature of inquiry in general.
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| − | As a consequence, every concept that appears in it takes on a double aspect.
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| − | 
  |   | 
| − | To illustrate, let us take the concept of a "sign relation" as an example
  |   | 
| − | of a construct that appears in this work and let me use it to speak about
  |   | 
| − | my own agency in this inquiry.  All I need to say about a sign relation
  |   | 
| − | at this point is that it is a three-place relation, and therefore can
  |   | 
| − | be represented as a relational data-base with three columns, in this
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| − | case naming the "object", the "sign", and the "interpretant" of the
  |   | 
| − | relation at each moment in time of the corresponding "sign process".
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| − | 
  |   | 
| − | At any given moment of this inquiry I will be participating in a certain
  |   | 
| − | sign relation that constitutes the informal context of my activity, the
  |   | 
| − | full nature of which I can barely hope to conceptualize in explicitly
  |   | 
| − | formal terms.  At times, the object of this informal sign relation
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| − | will itself be a sign relation, typically one that is already
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| − | formalized or one that I have a better hope of formalizing,
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| − | but it could conceivably be the original sign relation
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| − | with which I began.
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| − | 
  |   | 
| − | In such cases, when the object of a sign relation
  |   | 
| − | is also a sign relation, the general concept of
  |   | 
| − | a sign relation takes on a double duty:
  |   | 
| − | 
  |   | 
| − |    1.  The less formalized sign relation is used to mediate the
  |   | 
| − |        present inquiry.  As a conceptual construct, it is not yet
  |   | 
| − |        fully conceived or not yet fully constructed at the moments
  |   | 
| − |        of inquiry being considered.  Perhaps it is better to regard
  |   | 
| − |        it as a "concept under construction".  Employed as a contextual
  |   | 
| − |        apparatus, this sign relation serves an instrumental role in the
  |   | 
| − |        construal and the study of its designated objective sign relation.
  |   | 
| − | 
  |   | 
| − |    2.  The more formalized sign relation is mentioned as a substantive object
  |   | 
| − |        to be contemplated and manipulated by the proceedings of this inquiry.
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| − |        As a conceptual construct, it exemplifies its intended role best if it
  |   | 
| − |        is already as completely formalized as possible.  It is being engaged
  |   | 
| − |        as a substantive object of inquiry.
  |   | 
| − | 
  |   | 
| − | I have given this inquiry a reflective or recursive cast, portraying it
  |   | 
| − | as an inquiry into inquiry, and one of the consequences of this picture
  |   | 
| − | is that every concept employed in the work will take on a divided role,
  |   | 
| − | double aspect, or dual purpose.  At any moment, the object inquiry of
  |   | 
| − | the moment is aimed to take on a formal definition, while the active
  |   | 
| − | inquiry need not acknowledge any image that it does not recognize
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| − | as reflecting itself, nor is it bound by any horizon that does
  |   | 
| − | not capture its spirit.
  |   | 
|   | </pre>  |   | </pre>  |