Changes

No change in size ,  00:51, 6 August 2010
Editing Yagan Memorial
Line 35: Line 35:       −
== Entry Statement to the Site ''by'' Sandra Hill==
     −
The work will have several rammed earth curved walls to be fabricated at the beginning of the pathway leading into the Memorial site. A feature visual timeline will be etched into clay tablets that meander along the full length of the walls, they will be reminiscent of the ''Waugal'' <ref>[http://slwa.wa.gov.au/swan_river/community_icon/waugal State Library of Western Australia-The Waugul:] Mythologically the Swan River was created by the Waugals (giant serpents), who carved waterways and valleys as they made their way to the mouth of the river at '''Fremantle'''. Noongar people have a responsibility to protect and care for the land and its waters as an integral part of their spirit and culture.</ref> moving in and out of the land as well as a connecting feature for the Burial Site. The walls, will gradually grade down until they disappear back into the earth.
   
==Tracie Pushman on Yagan==
 
==Tracie Pushman on Yagan==
 
The story of '''Yagan''' lives strongly in the hearts of the ''Nyungar'' people.<ref>[http://books.google.com.au/books?id=ecue8nsB9OcC&pg=PA227&dq=Nyungar+people&hl=en&ei=F5IkTM23AsKHcbbQtc0C&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDAQ6AEwAQ#v=onepage&q=Nyungar%20people&f=false Being Black:] Aboriginal Cultures in Settled Australia ''by'' Ian Keen</ref> Son of Midgigooroo and Moyran, Yagan was a great leader of the Jondarup Ballaruk clan moeities. In the early years of colonisation by the British, the strangers to the area of Beeliar (Perth) were welcomed by the Indigenous people and seen as Djanga – returning spirits of the dead. As time went on, the increasing domination of the settler colony resulted in restrictions to land access for the custodians of the area, ultimately threatening their cultural wellbeing, and their relationship to country. Aboriginal resistance followed and Yagan will always be remembered for his intelligence, strength, courage and influence during this period of resistance.  
 
The story of '''Yagan''' lives strongly in the hearts of the ''Nyungar'' people.<ref>[http://books.google.com.au/books?id=ecue8nsB9OcC&pg=PA227&dq=Nyungar+people&hl=en&ei=F5IkTM23AsKHcbbQtc0C&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDAQ6AEwAQ#v=onepage&q=Nyungar%20people&f=false Being Black:] Aboriginal Cultures in Settled Australia ''by'' Ian Keen</ref> Son of Midgigooroo and Moyran, Yagan was a great leader of the Jondarup Ballaruk clan moeities. In the early years of colonisation by the British, the strangers to the area of Beeliar (Perth) were welcomed by the Indigenous people and seen as Djanga – returning spirits of the dead. As time went on, the increasing domination of the settler colony resulted in restrictions to land access for the custodians of the area, ultimately threatening their cultural wellbeing, and their relationship to country. Aboriginal resistance followed and Yagan will always be remembered for his intelligence, strength, courage and influence during this period of resistance.  
Line 46: Line 44:     
This artwork is in memory of Yagan. The work depicts two stories; that of the life of the Nyungar people prior to the settlement, and the story of Yagan. Its positioning will be the entry to Yagan’s burial site, therefore allowing visitors to the site a chance to contemplate the loss experienced by not only the Nyungar people, but to Aboriginal and Torres Strait Islanders throughout [[Australia]]. The work is of great cultural importance as it pays respect to one of the legendary figures in Perth’s history. Among many others, past and present, Yagan stood proud and fought for freedom and the cultural rights of his people and his country. This artwork pays tribute to Yagan, a cultural hero. May he finally rest in peace.
 
This artwork is in memory of Yagan. The work depicts two stories; that of the life of the Nyungar people prior to the settlement, and the story of Yagan. Its positioning will be the entry to Yagan’s burial site, therefore allowing visitors to the site a chance to contemplate the loss experienced by not only the Nyungar people, but to Aboriginal and Torres Strait Islanders throughout [[Australia]]. The work is of great cultural importance as it pays respect to one of the legendary figures in Perth’s history. Among many others, past and present, Yagan stood proud and fought for freedom and the cultural rights of his people and his country. This artwork pays tribute to Yagan, a cultural hero. May he finally rest in peace.
 +
== Entry Statement to the Site ''by'' Sandra Hill==
    +
The work will have several rammed earth curved walls to be fabricated at the beginning of the pathway leading into the Memorial site. A feature visual timeline will be etched into clay tablets that meander along the full length of the walls, they will be reminiscent of the ''Waugal'' <ref>[http://slwa.wa.gov.au/swan_river/community_icon/waugal State Library of Western Australia-The Waugul:] Mythologically the Swan River was created by the Waugals (giant serpents), who carved waterways and valleys as they made their way to the mouth of the river at '''Fremantle'''. Noongar people have a responsibility to protect and care for the land and its waters as an integral part of their spirit and culture.</ref> moving in and out of the land as well as a connecting feature for the Burial Site. The walls, will gradually grade down until they disappear back into the earth.
 
== Artists ==
 
== Artists ==
 
[[File:Yagan 1sb.jpg|thumb|left|550px|Yagan Memorial Wall Design ''by'' [[Directory:Sandra Hill|Sandra Hill]] ]]
 
[[File:Yagan 1sb.jpg|thumb|left|550px|Yagan Memorial Wall Design ''by'' [[Directory:Sandra Hill|Sandra Hill]] ]]
7,908

edits