Changes

the [[European Union]] (January–June 2008) and the European Commission.  

the [[European Union]] (January–June 2008) and the European Commission.  

'''Page 201'''. Joze Dezman

'''Page 201'''. Joze Dezman

*Mystifying the crimes of the occupiers, Titoism covered its own crimes. The taboo to hide the  crimes of Titoism was meant to conceal the War-time and post-War murders of civilians and prisoners of war without trials. Their graves were levelled and in Slovenia it was forbidden to talk about their fate. Repressive organs controlled the burials sites and the living were strictly forbidden to mention the victims or the graves. The so-called system of preserving and developing revolutionary heritage was used by the [[Communists|Communist Party]] to implement a '''monopoly''' on the truth.']</ref> the stealing of the “enemy’s” history in order to obliterate his memory and aggrandise the country. Completely ignored in the West, this skulduggery is a new Pandora’s box-Balkan style.  

*Mystifying the crimes of the occupiers, Titoism covered its own crimes. The taboo to hide the  crimes of Titoism was meant to conceal the War-time and post-War murders of civilians and prisoners of war without trials. Their graves were levelled and in Slovenia it was forbidden to talk about their fate. Repressive organs controlled the burials sites and the living were strictly forbidden to mention the victims or the graves. The so-called system of preserving and developing revolutionary heritage was used by the [[Communists|Communist Party]] to implement a '''monopoly''' on the truth.'</ref> the stealing of the “enemy’s” history in order to obliterate his memory and aggrandise the country. Completely ignored in the West, this skulduggery is a new Pandora’s box-Balkan style.  

[http://en.wikipedia.org/wiki/Croatia Croatia], a country of about 4 million inhabitants, has “nationalised” the history of her Adriatic coastline, a territory that had never been part of the Slavic hinterland, historically, politically and culturally. In order to totally “Croatianize“ the coastal territories, the country is manipulating their history and striving to “show” the world that Dalmatia, the Quarner region and Istria have “always” been Croatian. There is no actual political contingency to justify this operation: the old Italian irredentism ended up definitely in the dustbin of the history, and no other countries (except for [[Slovenia]]) have pressing territorial ambitions toward Croatia. Never methodically investigated, nobody knows how and when these history misappropriations started. In 1858-60 Ivan Kukuljevic Sakcinski, who belonged to Croatian nobility, published his “Slovnik umjetnikah jugoslavenskih”, an encyclopaedic dictionary of Slav artists (then, Croatia was under [[Hungary|Hungarians]] domination and Yugoslavia was still a dream). In this book among Slavic artists you can find the painter Vittore Carpaccio - born in Venice, 1460/65 ca. - 1525/26 ca. - only because Carpaccio used to create religious paintings commissioned by churches in Istrian peninsula and Dalmatia. Kukuljevic Sakcinski, a hot-headed nationalist, “opined” that the artist’s last name derived from a Croatian root: “Krpaci, Skrpaci or Krpatici”.

[http://en.wikipedia.org/wiki/Croatia Croatia], a country of about 4 million inhabitants, has “nationalised” the history of her Adriatic coastline, a territory that had never been part of the Slavic hinterland, historically, politically and culturally. In order to totally “Croatianize“ the coastal territories, the country is manipulating their history and striving to “show” the world that Dalmatia, the Quarner region and Istria have “always” been Croatian. There is no actual political contingency to justify this operation: the old Italian irredentism ended up definitely in the dustbin of the history, and no other countries (except for [[Slovenia]]) have pressing territorial ambitions toward Croatia. Never methodically investigated, nobody knows how and when these history misappropriations started. In 1858-60 Ivan Kukuljevic Sakcinski, who belonged to Croatian nobility, published his “Slovnik umjetnikah jugoslavenskih”, an encyclopaedic dictionary of Slav artists (then, Croatia was under [[Hungary|Hungarians]] domination and Yugoslavia was still a dream). In this book among Slavic artists you can find the painter Vittore Carpaccio - born in Venice, 1460/65 ca. - 1525/26 ca. - only because Carpaccio used to create religious paintings commissioned by churches in Istrian peninsula and Dalmatia. Kukuljevic Sakcinski, a hot-headed nationalist, “opined” that the artist’s last name derived from a Croatian root: “Krpaci, Skrpaci or Krpatici”.