Changes

===Note 4===

===Note 4===

<pre>

<blockquote>

| It is one of the rules of my system of general harmony,

<p>It is one of the rules of my system of general harmony, ''that the present is big with the future'', and that he who sees all sees in that which is that which shall be.</p>

| 'that the present is big with the future', and that he

 

| who sees all sees in that which is that which shall be.

<p>&mdash; Leibniz, ''Theodicy'', ¶ 360, p. 341.</p>

| Leibniz, 'Theodicy'

|'Theodicy:  Essays on the Goodness of God,

| The Freedom of Man, & The Origin of Evil',

| Edition of the 'Collected Philosophical Works',

| 1875-90;  Routledge & Kegan Paul, London, UK, 1951;

| Open Court, La Salle, IL, 1985. Paragraph 360, Page 341.

To round out the presentation of the "Polymorphous" Example 1,

To round out the presentation of the "Polymorphous" Example&nbsp;1, I will go through what has gone before and lay in the graphic forms of all of the propositional expressions.  These graphs, whose official botanical designation makes them out to be a species of "painted and rooted cacti" (PARC's), are not too far from the actual graph-theoretic data-structures that result from parsing the Cactus string expressions, the "painted and rooted cactus expressions" (PARCE's). Finally, I will add a couple of venn diagrams that will serve to illustrate the "difference opus" Dq. If you apply an operator to an operand you must arrive at either an opus or an opera, no?

I will go through what has gone before and lay in the graphic

forms of all of the propositional expressions.  These graphs,

whose official botanical designation makes them out to be

a species of "painted and rooted cacti" (PARC's), are not

too far from the actual graph-theoretic data-structures

that result from parsing the Cactus string expressions,

the "painted and rooted cactus expressions" (PARCE's).

Finally, I will add a couple of venn diagrams that

will serve to illustrate the "difference opus" Dq.

If you apply an operator to an operand you must

arrive at either an opus or an opera, no?

Consider the polymorphous set Q of Example 1 and focus on the central cell,

Consider the polymorphous set Q of Example 1 and focus on the central cell,

described by the conjunction of logical features in the expression "u v w".

described by the conjunction of logical features in the expression "u v w".